The piano was once almost a holy instrument. It was only in the 20th century that it was dared to open it up, produce less conventional sounds and even be treated as a percussion. Klungresæter and Xin bravely make use of these advances, while still retaining much tenderness and sensitivity to the irreverent keyboard. They run preparation and other contemporary techniques through the filter of their experience, which leads us to believe that the sound performance they plan to present in the Sokołowsko space will be truly unique.